So I found a wonderful free app that lets you learn Yoruba, or at least Yoruba words, and posted about it on Google plus. Someone asked a very good question: why am I interested in Yoruba? Well, I’m not interested just in Yoruba. In fact, I would love to learn pretty much any western African language or, to be a little more precise, any Niger-Congo language.
Why? Well, not to put too fine a point on it, I’ve got a huge language crush on them. Whoa there, you might be thinking, you’re a linguist. You’re not supposed to make value judgments on languages. Isn’t there like a linguist code of ethics or something? Well, not really, but you are right. Linguists don’t usually make value judgments on languages. That doesn’t mean we can’t play favorites! And West African languages are my favorites. Why? Because they’re really phonologically and phonetically interesting. I find the sounds and sound systems of these languages rich and full of fascinating effects and processes. Since that’s what I study within linguistics, it makes sense that that’s a quality I really admire in a language.
What are a few examples of Niger-Congo sound systems that are just mind blowing? I’m glad you asked.
- Yoruba: Yoruba has twelve vowels. Seven of them are pretty common (we have all but one in American English) but if you say four of them nasally, they’re different vowels. And if you say a nasal vowel when you’re not supposed to, it’ll change the entire meaning of a word. Plus? They don’t have a ‘p’ or an ‘n’ sound. That is crazy sauce! Those are some of the most widely-used sounds in human language. And Yoruba has a complex tone system as well. You probably have some idea of the level of complexity that can add to a sound system if you’ve ever studied Mandarin, or another East Asian language. Seriously, their sound system makes English look childishly simplistic.
- Akan: There are several different dialects of Akan, so I’ll just stick to talking about Asante, which is the one used in universities and for official business. It’s got a crazy consonant system. Remember how Yoruba didn’t have an “n” sound? Yeah, in Akan they have nine. To an English speaker they all pretty much sound the same, but if you grew up speaking Akan you’d be able to tell the difference easily. Plus, most sounds other than “p”, “b”, “f” or “m” can be made while rounding the lips (linguists call this “labialized” and are completely different sounds). They’ve also got a vowel harmony system, which means you can’t have vowels later in a word that are completely different from vowels earlier in the word. Oh, yeah, and tones and a vowel nasalization distinction and some really cool tone terracing. I know, right? It’s like being a kid in a candy store.
But how did these language get so cool? Well, there’s some evidence that these languages have really robust and complex sound systems because the people speaking them never underwent large-scale migration to another Continent. (Obviously, I can’t ignore the effects of colonialism or the slave trade, but it’s still pretty robust.) Which is not to say that, say, Native American languages don’t have awesome sound systems; just just tend to be slightly smaller on average.
Now that you know how kick-ass these languages, I’m sure you’re chomping at the bit to hear some of them. Your wish is my command; here’s a song in Twi (a dialect of Akan) from one of my all-time-favorite musicians: Sarkodie. (He’s making fun of Ghanaian emigrants who forget their roots. Does it get any better than biting social commentary set to a sick beat?)